Fågelle + GINA040

Emerging from the Nordic experimental music scene, swedish artist Fågelle is a raw collision of lyrical beauty and unhinged sonic expression. Raised in the forests of Halland and shaped by years in Berlin and Gothenburg, Fågelle has developed a live presence that is direct, immersive, and emotionally exacting. Her performances unfold with patience. Sounds accumulate. Textures thicken. Nothing feels decorative; everything has weight. At the core is her voice — clear, cutting, and unguarded. It carries traces of Nordic folk but moves freely through distortion, brass, and fractured electronics. Guitars grind. Drums pulse with a physical insistence. Field recordings surface and recede. The room becomes part of the composition, whether it’s a black box theatre or a concrete club. Fågelle often integrates collaborators and local elements into her shows, allowing each performance to absorb its surroundings. Musicians, dancers, and site-specific recordings shift the structure without diluting the focus. What remains constant is her commitment to presence. She stands inside the material fully, letting tension stretch without rushing to resolve it. Having toured extensively across Europe — including performances alongside Zola Jesus, BIG|BRAVE, and Esben and the Witch — she has built a reputation for concerts that feel concentrated and embodied.

Support: GINA040 GINA040 makes pop music that bites back. Her songs move through desire, damage, and dark humour with the confidence of someone who knows the edge of the cliff all too well. Working at the fault line between experimental electronics, goth textures, and hook-driven pop, GINA040 frames heartbreak as both spectacle and confession. Her recent material highlights the years 2024–2025 — a period marked by obsessive love, toxic entanglements, and the strange performance of modern dating. The writing is direct and unsentimental, touching on intimacy, self-harm, and power without sanding down the edges, while her on-stage humour cuts through the heaviness and pulls the audience closer. Her debut EP Tears For Goliath (2021) was praised for its stark DIY minimalism; since then, she has sharpened the production and expanded the emotional range, all crafted from her cellar studio in Möllan alongside the FNGRLCKN collective (est. 2017). There are echoes of LCD Soundsystem’s pulse and Ethel Cain’s dramatic interiority, but GINA040’s voice remains singular — theatrical, self-aware, and unafraid of exposing the mess beneath the melody.

RIYL: Anna von Hausswolff, Chelsea Wolfe, Lingua Ignota, Zola Jesus, BIG|BRAVE, Fever Ray, Jenny Hval, Thåström, L.T.Fisk., Björk, Bat For Lashes, Ethel Cain, Radiohead.

Concert included in the SS26 season pass! https://secure.tickster.com/5vmn7ynvgjj79gj